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Gerstein Philip's avatar

(Just catching up on your work in this format, Cate... Had to comment, however belatedly, as a colorist 😁)

What a lovely inspired exploration of feelings + analysis! And disagreeing with/updating Kandinsky -- a bold move, taken no doubt after much consideration about what's subjective and what's objective ⭕️.

A great direction, filled with spirit!

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Leslie Sills's avatar

Wow, I learned so much reading this!

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Cate McQuaid's avatar

I'm glad, Leslie. I learned a lot writing it!

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Jill Slosburg-Ackerman's avatar

Exquisite!!!!!

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Cate McQuaid's avatar

Thanks so much, Jill!

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Trish Clay's avatar

Such a riotous sensual delight! You are truly an imaginative and gifted writer.

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Cate McQuaid's avatar

Thank you, Trish. I am having such fun!

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martha friend's avatar

Hi Cate! What a pleasure reading what you wrote about my Blue show and the joys of blue. From the opening sentence ("On sunny fall days, the red and yellow leaves against the blue sky open a chute of joy in my body.") I knew I was in for a treat. I'm glad you feel about blue the way I do, and apparently so many other people as well! One of the first paintings I found and chose for the show is a large abstract called Blue Joy by Michael Robbins (on the left wall inside the center "nook" with the text and quilt etc.)-I loved the painting and the title. Your writing is beautiful and evocative of so much that I feel as well. thank you for all of it.

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Cate McQuaid's avatar

Thank you, Martha! It was such fun to see the show and really think about blue and what it means to me. I'm so glad you organized it, and brought your vision and aesthetic to the Somerville Museum.

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Susan's avatar

“Indeed, blue may be the best color at simultaneously holding shadow and light” this reminds me of The Blue Hour, that magic time of day that holds both shadow and light. If you want to read more about the origins of blue pigments and chemistry the beautiful book Sun Gardens The Cyanotypes of Anna Atkins has richly researched writings on the subject as well as a beautiful book of her prints, life and context of her working in the medium. It’s out of print I believe but libraries may have a copy. Published by New York Public Library. BTW Anna Atkins and Emily Dickinson lived in roughly the same period!

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Cate McQuaid's avatar

I hadn't thought of cyanotypes, which of course are records or imprints of light! I am familiar with Anna Atkins, but I don't know Sun Gardens. And the blue hour, so beautiful. Thanks, Susan!

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Heather Stivison's avatar

Loved reading this. My whole studio echos with blue, so your words resonated well. And Emily Dickinson! Her thoughts are so much deeper than she is given credit for. Perfect addition to your own words.

And a sidenote, have you seen that Manifest Gallery is planning an exhibition "Blue" to open in March?

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Cate McQuaid's avatar

I did know about Manifest Gallery's blue show, Heather. I'll have to look into that.

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bgrad131@gmail.com's avatar

Reading this reminded me of how alive I am inside. Blue like water fills me, it's my favorite color. I have a very difficult time not putting it in my paintings!

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Cate McQuaid's avatar

I guess that's what we aim to do as artists – to remind people of how alive they are inside. Thank you, Barbara.

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Gerry Bergstein's avatar

Thanks for this. Blue is my favorite color. I keep trying to put it in my paintings. It affects me spiritually and emotionally. Comforting yet mysterious

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Cate McQuaid's avatar

Thanks, Gerry. Yes, comforting and mysterious. What an unlikely combination. I love it when blue shows up in your paintings – it's such a counterpoint to much of the other action.

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Freddie Green's avatar

For Emily I always swoon--

This one to me is new--

Now ruddy has become a blue--

All thanks be to you.

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Cate McQuaid's avatar

Thanks, Freddie! Larry sent me two blue Emily poems. Here's the other:

My river runs to thee:

Blue sea, wilt welcome me?

My river waits reply.

Oh sea, look graciously!

I'll fetch thee brooks

From spotted nooks,—

Say, sea,

Take me!

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